Here, again, is the information for your final papers and portfolios.
Due date: These are due by 5 p.m. May 9.Late work will be docked 10 percent for each day it is late and no work will be taken after Wednesday, May 11.
Delivery: You may submit your final work by email, but please make sure portfolio elements are clearly labeled. You may submit hard copy as well. I will have a box set up outside my office, BEN 219.
• rough draft and revision of your memoir
• rough draft and revision of your personal reported essay
• rough draft and revision of your lyric essay
• One page of writing that discusses the revisions you made to your pieces and how it incorporated the feedback you received in critique and your own understanding of the elements of creative nonfiction.
• 800-1,000 words
• MLA style
You have two options for your paper:
Option No. 1 Craft Analysis of Creative Nonfiction Techniques
Analyze Malcolm’s use of two elements of creative nonfiction, with cited examples from the text as well as use of our critical readings as secondary sources to bolster your examples of the types of creative nonfiction and their importance in the text.
Option No. 2: Critical Analysis of the Issues of Nonfiction
Discuss, with a thesis, the issues and concerns raised in The Journalist and the Murderer as it relates to the reporting and writing of nonfiction, using secondary sources to bolster your argument.
Here are some secondary sources that may be helpful for Option #2:
Joe McGinniss website (includes a response to Janet MacDonald)